Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Tuesday, June 9, 2026

From Hospital Shifts to Gold Medals: Vivian Glozman’s Leap into Pickleball Fame

 

 

A Taiwanese-Ukrainian tennis standout trades premed dreams for a pro paddle career, offering lessons on passion, resilience, and the global rise of Pickleball

(January 2026) In a candid English-language podcast conversation, rising pickleball star Vivian Glozman shared her remarkable journey from Division I tennis and hospital work to the top ranks of professional pickleball. Traveling in Asia, the half-Taiwanese, half-Ukrainian athlete reflected on family roots, career pivots, mental challenges, and the sport’s potential in Taiwan and beyond. Her story highlights the blend of heritage, hard work, and heart that defines modern athletes in an exploding sport.

Warm-up & Introduction

  • Vivian greeted Mandarin-speaking fans with a simple but enthusiastic introduction despite limited fluency.
  • Rapid-fire questions revealed her preferences: tea over coffee, pickleball over tennis, outdoor courts, drives, and Federer.
  • Host highlighted her top-7 world ranking, top-4 duper rating, MLP Chicago Slice team, Australia Open women’s doubles gold, and 6.0+ duper rating.

Vivian opened with warm hospitality and cultural connection. The host, excited to bridge Mandarin communities, invited Vivian to greet fans in Mandarin, leading to laughter and appreciation for her effort. A quick intro established her elite status in pickleball, including recent major wins, setting an enthusiastic tone for deep dives into her background and insights.

Vivian’s Unique Upbringing and Background

  • Half-Taiwanese (mother’s side) and half-Ukrainian (father’s side); grew up in Bellevue, Washington.
  • Frequent visits to Taiwan, including recent family time in Tainan and first extended stay in Taipei.
  • Impressed by Taipei’s modern, bustling vibe compared to more rural family areas.

Vivian described a multicultural upbringing that shaped her perspective. With family in Las Vegas on her Ukrainian side and deep Taiwanese roots in Tainan, she has visited Taiwan multiple times but experienced Taipei’s advanced urban energy as refreshingly new. Her Bellevue roots near Seattle prepared her for big-city life, yet Taiwan visits always felt grounded in family and smaller-scale charm.

Why Choose Pickleball Over a Career as a Doctor?

  • Pre-med student working hospital and nursing home shifts for med school hours.
  • Introduced to pickleball by a supportive “pickle mom” neighbor who provided paddles and community.
  • Coworkers encouraged the leap at age 22 when PTO ran out; chose pro path despite no initial money.

The fork in the road came after college tennis at Berkeley, Virginia, and Air Force Academy. While grinding premed requirements, a neighbor sparked her interest. Support from the Dawson family and hospital colleagues tipped the scales toward a risky but fulfilling pro pickleball career over sports medicine.

The Real Challenge for Tennis Players Transitioning to Pickleball

  • Initial ego clash: tennis background made her expect quick dominance.
  • First week humbled her; advised dropping ego to enjoy learning.
  • Pickleball’s daily growth opportunities contrast tennis’s refinement phase.

Tennis lifers often underestimate pickleball’s nuances. Vivian stressed humility as the gateway to mastery, noting the sport’s endless learning curve keeps it fresh even years in.

Highlights of Her Professional Pickleball Career

  • First PPA event with longtime friend and college teammate Anna Bright reached semis.
  • Won PPA Australia Open women’s doubles gold in international debut.
  • Climbed to top-7 world ranking and played elite opponents like Anna Bright and Jorja Johnson.

Winning gold in Australia stood out as her proudest moment amid travel and exploration. Early partnership with Anna Bright provided a career-launching platform.

How to Prepare for Elite-Level Competition

  • Daily drilling on strengths and weaknesses builds confidence.
  • Focus on self rather than heavy opponent film study.
  • Evolved from external advice to trusting her own game style.

Preparation centers on consistent drilling and self-knowledge rather than over-analysis. Vivian learned to filter coaching input and play to personal strengths.

Strategies for Dealing with External Pressure

  • Early career noise and comments affected mental health; now maintains peace through self-security.
  • Prioritizes mental health, pacing, and separating worth from results.
  • Adopts mindset that critics lack similar opportunities.

Vivian shared growth from vulnerability to resilience, emphasizing that athletes are humans first. The “lion and sheep” quote reinforces ignoring unconstructive opinions.

The Single Most Important Piece of Advice for Amateur Players

  • Decide if playing for fun or improvement; drill deliberately for progress.
  • Control tempo instead of matching bangers; learn to slow the game.
  • Put aside ego, embrace Dunning-Kruger progression, and commit to repetition.

Amateurs should drill fundamentals rather than default to power. Vivian invoked Ben Johns’ calm control as inspiration for managing pace.

Vivian’s Impressions of Pickleball in Taiwan

  • Observed passionate players sacrificing sleep post-work for late-night play.
  • Noted shortage of coaches despite strong work ethic and talent.
  • Excited by sport’s growth and cross-cultural exchanges.

Taiwanese dedication—playing until midnight after long shifts—impressed her, highlighting potential if coaching access improves.

How Young Players Can Effectively Plan Their Professional Careers

  • Balance passion with well-rounded childhood; avoid early burnout.
  • Parents should encourage other sports, music, and social experiences.
  • Never put all eggs in one basket; life extends beyond the court.

Drawing from tennis experiences, Vivian advocated for holistic development in young athletes.

The Inside Story Behind the End of the UPA Contract

  • Shock termination after Japan clinics with Pickleball Japan Federation.
  • Unintentional marketing overlap perceived as competing; no intent to breach.
  • Working on public statement and resolution with PPA.

Vivian clarified the group’s positive intentions for sport growth and ongoing efforts to resolve the situation.

Future Career Plans

  • Continue growing pickleball in Asia, improving Mandarin through immersion.
  • Plan 5–10 more competitive years, then coach, media, or agency roles.
  • Focus on giving back and helping the next generation.

Long-term, Vivian aims to expand the sport’s reach in Asia while staying involved post-playing days.

Summary

Vivian Glozman’s podcast appearance painted a vivid portrait of a thoughtful athlete navigating heritage, bold career shifts, and the demands of professional pickleball. From premed hospital work to Australia Open gold, her path underscores humility, drilling, mental resilience, and cultural passion. Her advice for amateurs and youth emphasizes balance, ego-free learning, and tempo control, while her vision for Asia’s pickleball future radiates optimism. In a sport still defining itself, Glozman models grace under pressure and the joy of lifelong growth on and off the court.

Pickleball Dreams Take Flight

(For young pickleball players – upbeat, happy, fun, educational song blending 1960s folk storytelling, light jazz swing, and 90’s rap flair. ~330 words)

Verse 1 Hey young paddlers, grab your gear, step on the court, From Taiwan roots to Seattle streets, Vivian’s story short. Half Ukrainian fire, Taiwanese heart so true, Played tennis since five, D1 life, then something new.

Chorus Pickleball dreams, swing that paddle high! Drill every day, let your spirit fly! Drop the ego, control the pace, make it slow, Fun with friends, watch your skills grow, whoa!

Verse 2 Hospital shifts, premed dreams on the line, Neighbor said “try this,” gave paddles, community shine. Coworkers cheered at twenty-two, “Take the leap, it’s your time!” Australia gold, with Anna Bright, first PPA climb.

Rap Bridge Yo, tennis players listen up, first week ego check, Dink not slam, learn every day, no time to fret. Ben Johns calm, slow the bang, you set the tempo right, Midnight Taiwan sessions, passion burning bright!

Verse 3 Drill your weaknesses, strengths shine through the game, Ignore the noise, comments fade, you’re the lion, not the same. Be a kid, try dance and friends, don’t burn out young, Balance life bigger than the court, have fun under the sun!

Chorus Pickleball dreams, swing that paddle high! Drill every day, let your spirit fly! Drop the ego, control the pace, make it slow, Fun with friends, watch your skills grow, whoa!

Outro From Taipei lights to future plans, grow the sport worldwide, Mandarin practice, give back strong, let your passion guide. Young players rise, paddle up, the court is yours to claim!

Instrumentation and Vocal Arrangement Guidance

  • Verses: Acoustic guitar + upright bass + brushed snare; warm female solo vocal with light storytelling delivery, subtle jazz scat ad-libs.
  • Bridge: Adds 90’s rap beat with finger snaps and light horn stabs; rhythmic spoken-word rap by young male/female duo for energy.
  • Chorus: Full band swing with piano jazz flourishes, handclaps, and 3-part harmony vocals (mixed youth choir vibe) for uplifting, sing-along fun.

How the Song Was Created

The song “Pickleball Dreams Take Flight” was crafted to distill Vivian Glozman’s podcast wisdom into an accessible, motivational anthem for young players. Songwriting decisions centered on a verse-chorus-rap bridge-outro form to mirror folk storytelling arcs while injecting 90’s rap dynamism for engagement. A simple AABB rhyme scheme in verses and an anthemic, repetitive chorus hook (“swing that paddle high!”) created memorable, educational earworms. Lyrical hooks wove concrete details—premed hospital days, ego drop in week one, Australia gold with Anna Bright, Taiwan midnight play, Ben Johns tempo control, and balance advice—ensuring authenticity to the transcript.

Instrumentation choices reflect the article’s optimistic, resilient tone: 1960s folk acoustics evoke heartfelt journeys and family roots, upright bass and brushed snares add light jazz swing for joyful bounce, while rap elements nod to energetic youth culture. This fusion keeps the vibe upbeat and educational without overwhelming.

Vocal choices feature a warm female lead on verses for intimate storytelling (echoing Vivian’s voice), shifting to duo rap in the bridge for dynamic contrast, and lush 3-part harmonies in the chorus to symbolize community and collective growth. Harmony decisions prioritize accessibility—simple intervals for young singers to join in. Lyrics tie directly to article content by celebrating cultural heritage, drilling discipline, mental strategies, and holistic life views, targeting young players with empowerment and fun. Performance tips for seniors (or coaches) include encouraging group sing-alongs on chorus for social bonding, slowing rap sections for clarity, and using the song in warm-ups to reinforce ego-free play and tempo control. Overall, the piece transforms interview insights into a celebratory tool for sport development. (Word count: 312)

Pickleball Journey Quiz

  1. What was Vivian’s original career aspiration before pickleball? a) Professional tennis coach b) Sports medicine doctor c) Music teacher d) Business executive
  2. Which tournament victory did Vivian describe as her proudest moment? a) MLP Chicago Slice championship b) A local Seattle event c) PPA Australia Open women’s doubles gold d) National junior tennis title
  3. What advice did Vivian give regarding the first week for tennis players switching to pickleball? a) Rely heavily on your tennis power shots b) Put aside your ego c) Avoid drilling fundamentals d) Focus only on opponent film
  4. According to Vivian, what is the single most important practice for amateurs wanting to improve? a) Playing matches exclusively b) Watching professional videos only c) Socializing at the courts d) Drilling
  5. How did Vivian describe preparation for elite tournaments? a) Heavy daily opponent film study b) Daily drilling focused on self c) Skipping practice before events d) Changing game style based on every coach
  6. What cultural observation did Vivian make about pickleball players in Taiwan? a) They play only in the mornings b) They often play late nights after long work shifts c) They lack any work ethic d) They prefer indoor courts exclusively
  7. What family background detail did Vivian share? a) Fully Ukrainian upbringing in Las Vegas b) Half-Taiwanese and half-Ukrainian c) Born and raised entirely in Taipei d) No international family ties
  8. In dealing with external pressure, what mindset did Vivian adopt? a) Reading all comments carefully and adjusting b) Knowing herself and letting noise fade c) Avoiding all social media permanently d) Basing worth solely on weekly results
  9. What future goal did Vivian express regarding Asia? a) Retiring immediately from competition b) Growing pickleball in Asia and improving her Mandarin c) Focusing only on U.S. events d) Switching to tennis coaching
  10. What balance did Vivian recommend for young athletes? a) Put all focus exclusively on one sport b) Homeschool and train full-time with no other activities c) Be well-rounded, try other hobbies, and enjoy being a kid d) Avoid sports entirely for academics

Answer Key A B D C B A C D B A

Monday, March 2, 2026

Girl Talk with Anna Bright: Dating on the Pro Tour

 

Pickleball's Most Eligible Bachelorette Reveals Her Dating Preferences and Deal Breakers In this candid "girl talk" session, professional pickleball athlete Anna Bright sits down with Victoria Radnothy from Pickleball.com to discuss her unconventional dating life. As one of the top-ranked pros and "pickleball's most eligible bachelorette," Anna shares unfiltered insights into what she's looking for in a partner, from physical preferences and DUPR ratings to deal breakers and "icks." This interview offers a blend of professional pickleball context and relatable dating anecdotes, providing a humorous and personal look into the life of a top athlete navigating the complexities of romance. Anna Bright's Dating Form (0:55-1:41) Anna Bright discusses her now-famous Google dating form, initially a fun, low-key way for interested individuals to express interest. She reveals that the form has amassed 367 responses, making it "like a job" to sift through. Anna even jokes about needing a "matchmaker dating analyst" to help filter the overwhelming number of applications, especially after the floodgates opened following an article on Pickleball.com. She emphasizes that the form was initially a challenge for potential suitors to find, but now it's become much more widespread. Physical Type (1:41-3:15) Anna outlines her physical preferences, stating she's 26 and prefers partners aged 25 to the "upper 30s." She tends to prefer brunettes and finds the "six-foot range" for height to be "amazing." Interestingly, her mother's first question about any guy she talks to is always eye color, as her mom dreams of blue-eyed grandchildren. Anna admits she can "overlook anything" if she truly likes someone, but generally leans towards blue eyes. DUPR Rating (3:15-4:50) When it comes to DUPR (Dynamic Universal Pickleball Rating), Anna has specific preferences. If a potential partner plays pickleball, she couldn't go below a 4.5 DUPR and ideally wants someone between 4.5 and 5.0. She explicitly states she doesn't want someone "better than a 5.5" or someone "trying to be pro," as that creates a "weird dynamic." If they don't play pickleball, she expects them to be able to reach a 3.5 DUPR level within a month or two, otherwise, she might get the "ick" because she desires to have "athletic kids." Ideal Career (4:50-5:30) Anna isn't particular about a specific profession but seeks a "stud" who is a "go-getter" and has a "bias for action." She desires a partner with a similar mindset to hers, someone who is also "taking on a lot" in their own life, mirroring her current momentum in both her pickleball career and other ventures. Deal Breakers (5:30-6:17) A significant deal breaker for Anna is someone who "sleeps in." She feels it's out of alignment with her own active lifestyle, questioning why a man with "testosterone flowing through your veins" isn't active. Another crucial deal breaker is a lack of activeness and not caring about one's health and body, as physical well-being is very important to her. Ultimately, she wants someone who "makes my life better, makes my life easier." Icks (6:17-7:08) Anna reveals a major "ick" or pet peeve: someone who doesn't return a shopping cart. She sees this as a clear indicator of incompatibility. While she doesn't immediately recall other "icks," she notes that she "can get the ick" easily. She also clarifies that she's not a "car person" and has no preference for the type of car a potential partner drives. Best and Worst Responses (7:08-10:00) Anna shares insights into what makes a good or bad dating form response. She appreciates serious and deep answers but values a balance with "playful humor," acknowledging the inherently funny nature of filling out a dating application. The "description" question is a key filter for her, serving as a "test of creativity." Many respondents fall flat by using generic descriptions involving "espresso" or "sunlight," directly referencing the example prompt given in the form. She dislikes responses for the "ideal first date" question that involve playing pickleball, as she doesn't want to play on a first date. Additionally, she uses a "narcissism scale" and finds people who rate themselves as a "one" (no self-awareness) or an "eight plus" (too narcissistic) to be red flags. She believes the correct answer is a "mid-range" rating, putting herself at a five or six. Realities of Dating on Tour (10:00-12:20) Anna discusses the geographical challenges of dating, preferring partners who live in South Florida or have flexible jobs that allow for travel. She also mentions the awkwardness of receiving forms from people who work at her training club, which she chooses to ignore. Anna clarifies that the dating form is a "fun side quest" separate from her "actual dating life," though there is some crossover. She created the form after being ghosted on a dating app, deciding to make potential suitors "work" for her attention. She's even sent the form link to guys who have asked her out, viewing it as a way to put them "through hoops" to prove their ambition and sense of humor.

Thursday, February 26, 2026

Ethical Dilemmas in Pickleball and Beyond: A KOTC Challenge


Unpacking Jimmy's Moral Compass Through 20 Ethical Questions This video features Tyler Loong from King of the Court (KOTC) posing 20 ethical questions to Jimmy Miller, most of which were generated by ChatGPT. The questions cover various scenarios in pickleball, from on-court behavior to tournament play, and even extend to real-life situations involving personal ethics. The discussion aims to determine if Jimmy is an "ethical person" based on his responses. Here's a time-coded list of the questions and a summary of the discussion: Initial Ethical Self-Assessment & ChatGPT's Ethics (0:07-0:49) Tyler asks Jimmy if he considers himself an ethical person. Jimmy confidently says yes. Tyler then introduces the idea of using ChatGPT to test Jimmy's ethics, to which Jimmy humorously questions ChatGPT's own ethical standing due to its environmental impact. The "Jerk on Court" Dilemma (1:02-1:33) Tyler presents a scenario: Is a person ethical if they are rude and make bad calls on the court but are completely different off the court? Jimmy believes true colors emerge under stress in competitive situations. Line Call Dilemma (1:41-1:53) Should you call a ball out if you think it might have clipped the line, or give the opponent the benefit of the doubt and call it in? Jimmy states he would call it in if he's not 100% sure. Score Confusion (1:56-2:15) If you're pretty sure the score is wrong and in your favor, do you stay quiet or correct it? Jimmy recounts correcting the score against himself in the past. Partner Accountability (2:17-2:45) Your partner makes a bad call. Do you back them publicly or overrule them? Jimmy says he would overrule if he was 100% sure, leading to a humorous side discussion about refs. Distraction Tactic (2:47-3:06) If an opponent is rattled, do you speed up the tempo and pressure them harder, or slow down and let them reset? Jimmy would "smell blood in the water" and go after them, seeing it as part of the game. Injury Situation (3:07-3:30) Your opponent tweaks an ankle mid-match. Do you keep attacking them strategically or play neutrally? In a tournament, Jimmy would attack, comparing it to exploiting weaknesses in other sports. Paddle Question (3:31-3:50) You suspect someone's paddle may be illegal. Do you let it slide or ask for an inspection? Jimmy has never asked for an inspection, even when suspecting illegal paddles, opting to "mutter things under his breath." Coaching Loophole (3:53-4:06) Your friend gives subtle hand signals from the sideline. Do you use this information or tell them to stop? Jimmy would use it. Social Media Call Out (4:08-4:30) You feel wronged by refs in a big match. Do you post about it on social media or keep it private? Jimmy would keep it private, though he jokes about "blasting them on the pod" in a funny, not dramatic, way. Net Cord Apology (4:35-4:50) You win multiple points off lucky net cords. Do you celebrate normally or apologize every time? Jimmy would "put a hand up" as an acknowledgment but also "fist pump because a point's a point." Sandbagging in Local Tournaments (4:51-5:05) Do you enter a lower division to guarantee a win, or play your true level even if you might lose? Jimmy calls sandbagging "douchy" and would rather play a higher level to challenge himself. Timeout Strategy (5:08-5:22) You're losing momentum. Do you take a timeout purely to disrupt your opponent or only for a legitimate reset? Jimmy would use timeouts strategically to "ice" opponents, even back-to-back if it frustrated them. Warm-up Advantage (5:25-5:47) Opponent shows up late and gets minimal warm-up. Do you start immediately or offer extra warm-up time? Jimmy would offer extra warm-up time, as long as tournament guidelines allowed it. Let Calls (5:47-6:04) You hear something but aren't 100% sure it's a let. Do you call the let or play through it? Jimmy would probably call it, especially if it was a winner. Referee Pressure (6:06-6:32) You believe a ref is making repeated bad calls. Do you publicly challenge them mid-match or stay composed and address it after? Jimmy admits he would be the person to say something mid-match. Targeting the Weaker Player in Doubles (6:33-6:55) Do you hit 80% to the weaker player or play balanced? In recreational play, Jimmy would challenge himself by playing the better player. In a tournament, he would relentlessly target the weaker player. Sponsorship Bias (6:56-7:24) You're reviewing a paddle from a sponsor. Do you only highlight positives or are you honest with pros and cons? Jimmy humorously states he would only highlight pros if they were paying him, implying he wouldn't choose a sponsor with cons, thus admitting he "can be bought." Celebration Etiquette (7:25-7:53) You hit a nasty ATP on match point. Do you have a big celebration or a subtle fist pump? Jimmy would have a huge celebration but would apologize and check on the person if he accidentally hit them in the head before celebrating with his partner. Replay Question (7:54-8:23) In recreational play with no ref, a disputed call happens. Do you replay the point or stick with the original call? Jimmy finds replaying the point to be the easiest solution, though Tyler dislikes it. Equipment Malfunction (8:24-8:36) Opponent's shoe breaks mid-rally. Do you finish the point or stop play immediately? Jimmy would finish the point, hitting it at their shoe. Prize Money Situation (8:38-9:00) Tournament underpays promised prize money. Do you call it out publicly or handle it privately? Jimmy would "blast them on the pod" (publicly) unless the money went to charity or a significant cause. Final Reflection on Ethics (9:01-9:33) Jimmy reflects on the questions, still considering himself ethical, emphasizing his desire to earn wins. Bonus Ethical Question: Sharing a Soda (9:34-10:46) Tyler's wife got a free-refill soda cup, and he drank from it instead of his water. Is that ethical? Jimmy says yes, as long as the wife purchased it and refills are free. He differentiates this from filling a water cup with soda (stealing) and from sharing a drink at a sit-down restaurant with a waitress (feels different due to service). Bonus Ethical Question: Verbal vs. Written Contract (10:47-11:57) You verbally agree on contract terms, but the person drafting the contract doesn't include them, and you sign it. Are you upheld to the verbal agreement or the written contract? Jimmy believes the drafter is unethical for not including the terms, and while the written contract is binding, you likely wouldn't do business with them again. He stresses the importance of lawyers and agents. College Ethics Course Anecdote (12:03-13:51) Tyler shares a story from his college ethics and values class, involving a book with profanity and a memorable interaction with a classmate named Brian.

Wednesday, December 24, 2025

At 85, a Pickleball Champion Refuses to Slow Down — or Grow Old

 

Bill Wingfield of Arkansas wins a national title, outlasting opponents decades younger and redefining what competition looks like late in life.

In the humid nights of central Florida, while matches stretched past midnight and competitors half his age chased every ball, Bill Wingfield kept playing. At 85, the Maumelle, Ark., resident was not there as a novelty act or ceremonial elder. He was there to win. When the U.S. Senior Pickleball National Championships concluded in Pictona, across the bay from Daytona Beach, Wingfield stood atop the podium, a national champion and a reminder that age, at least in pickleball, is often just another variable to outthink.


A Championship Earned, Not Given

Wingfield’s gold medal came in the 85–89 division, a bracket so thin that he was frequently required to play competitors in their 60s and 70s just to advance.

  • The national championships require qualification through one of four regional tournaments, where players must finish in the top three.

  • Wingfield earned his place with a silver-medal finish at a regional event.

  • Over the course of the tournament, he played roughly eight matches, some ending as late as 1:30 a.m. due to weather delays.

The endurance alone was notable. The result was extraordinary.


From Tennis Skeptic to Pickleball Convert

Wingfield’s path to pickleball was anything but enthusiastic at first. A longtime tennis player, he viewed the sport with suspicion, even disdain.

  • He played tennis until the age of 79 and initially dismissed pickleball as a game for retired tennis players unwilling to quit competing.

  • After trying it once, his resistance evaporated.

  • He has not picked up a tennis racket since.

What won him over was not just accessibility, but depth. Pickleball, he says, rewards patience and planning more than raw speed.


A Game of Strategy, Not Just Speed

Wingfield describes pickleball less like a sprint and more like a chess match.

  • Beginners can have fun within weeks, he says, but winning consistently can take years.

  • Against younger opponents who can retrieve nearly everything, Wingfield relies on placement, touch, and tactical pressure.

  • His goal is not to overpower, but to force opponents to earn every point.

It is a style of play that allows experience to matter — and sometimes prevail.


Training at 85, Without Apology

This is not a casual hobby. Wingfield trains almost every day at the Little Rock Athletic Club, sometimes twice daily.

  • On mornings when his body protests, he waits it out, trusting movement to restore momentum.

  • When partners are unavailable, he practices with a ball-feeding machine.

  • The physical benefits, he says, have been undeniable, from improved sleep to renewed energy.

He jokes that while his birth certificate says 85, his body feels more like “39 plus shipping and handling.”


Competing Without Fear of Losing

For Wingfield, the secret to longevity in the sport is psychological as much as physical.

  • New players, he advises, must accept early and frequent losses.

  • Improvement comes gradually, often invisibly, until one day it begins to “gel.”

  • The scoreboard matters less than showing up, learning, and enjoying the process.

It is advice shaped by decades of competition — and by a sport that continues to surprise him.


No Finish Line in Sight

With tournaments on the calendar in places like Fayetteville, Utah, and Arizona, Wingfield has no plans to retire from competition.

  • He intends to keep playing as long as his body allows.

  • He sees pickleball as a sport for all ages, not defined by youth or limitation.

  • Above all, he sees it as fun — the kind that keeps people coming back.

At an age when most athletes have long since stepped away, Wingfield is still chasing shots, still solving puzzles, still winning.


Summary

  • Bill Wingfield, an 85-year-old from Maumelle, Arkansas, won a national title at the U.S. Senior Pickleball National Championships in Florida.

  • A former tennis player, Wingfield initially resisted pickleball but quickly became devoted to its strategic depth.

  • He trains nearly every day, often competing against players decades younger.

  • Wingfield credits strategy, consistency, and a willingness to lose early as keys to long-term success.

  • He plans to keep competing as long as possible, embodying pickleball’s growing reputation as a lifelong sport.

Saturday, December 20, 2025

Mastering the 3rd Shot Drop in Pickleball - Taught by the #1 Junior in the World

 

The Soft Shot That Changes Everything

How a teenage pickleball prodigy explains the quiet geometry behind the game’s most misunderstood stroke

Introduction

In pickleball, the loudest moments often get the attention: the put-away volley, the chest-high smash, the crowd’s reflexive “oh!” But the point that decides the rally usually arrives earlier, softer, and with less drama. The third-shot drop — a feathered arc from the baseline into the kitchen — is the sport’s great equalizer. In a brisk, plainspoken tutorial, Kelly Goodnow, 13, the world’s No. 1 junior player, breaks down why this shot fails so many recreational players and how a few small adjustments can turn frustration into control. 
(Kelly's YouTube Playlist)


0:00–0:27 — What the Third-Shot Drop Is (and Isn’t)

  • A setup shot meant to advance both partners to the kitchen line

  • Built on height, arc, and touch — not power

  • A rally-reset that neutralizes aggressive opponents

The third-shot drop, Kelly explains, is not a point-ender but a position-builder. Its purpose is simple: buy time and space. When executed correctly, it forces opponents to hit up, allowing the serving team to move forward. When hit with too much force or too little margin, it becomes an invitation to attack.


0:32–1:11 — The Most Common Mistake: Too Much Tension

  • Over-gripping the paddle causes pop-ups

  • Ideal grip pressure is 3–4 out of 10

  • A loose hand creates spin and control

Many 3.0–4.0 players try to “guide” the ball, squeezing the handle in an effort to be precise. The result is the opposite. A relaxed grip allows the paddle face to work naturally, keeping the ball down and reducing the chances of a smashable return.


1:13–1:59 — Stance, Spin, and the Aggressive Drop

  • Avoid open stance on weak returns

  • Use a semi-closed stance

  • Favor topspin over slice when possible

When a weak return floats back, it’s an opportunity — but only if the body is aligned correctly. Goodnow favors a semi-closed stance and a topspin “third-try” drop, created by brushing up the back of the ball. The goal is not speed, but a dipping trajectory that lands safely and falls out of reach.


2:00–2:40 — Swing Speed and the Importance of Height

  • Slow, smooth swings outperform fast ones

  • Aim roughly three feet above the net

  • Height makes the shot unattackable

Players often aim too low, flirting with the tape. By targeting a higher window, the margin for error increases. The ball clears the net comfortably, then drops sharply into the kitchen — safe, soft, and difficult to counter.


2:46–3:02 — Brush Up, Stay Low

  • Bend the knees

  • Brush low-to-high

  • Let spin create the arc

The mechanics are compact but precise. Staying low and brushing up generates the arc that brings the ball down quickly. It’s not finesse for finesse’s sake; it’s physics applied gently.


3:05–3:45 — Where to Aim the Drop

  • Prefer crosscourt for lower net height

  • Middle drops can work

  • Avoid predictable box-center targets

Because the net dips in the middle, crosscourt drops offer more margin. Goodnow also favors targeting seams and deeper kitchen landings rather than the obvious center of each box.


3:47–4:18 — Move In Together

  • Advance after a successful drop

  • Watch for opponents reaching

  • Stay synced with your partner

A good drop is wasted if it isn’t followed. Momentum matters. When one player moves, both should move, closing space and preparing for the next ball.


4:20–5:10 — The Recap

  • Semi-closed stance

  • Loose grip

  • Slow swing

  • Brush low to high

With these fundamentals, Goodnow promises, the third-shot drop transforms from liability to weapon — not flashy, but decisive.


Summary

The third-shot drop is less about delicacy than discipline. Kelly Goodnow’s lesson reframes the shot as a repeatable system: relax the grip, set the body, aim higher, swing slower, and move forward together. For recreational players, especially seniors, these adjustments reduce strain, increase consistency, and shift the game from reaction to intention. Mastery here doesn’t just improve one shot — it changes how the court feels under your feet.


Step-by-Step Guide

  1. Relax your grip to a 3–4 out of 10.
    Tip: If your forearm feels tight, loosen more.

  2. Set a semi-closed stance before swinging.
    Tip: Point your front shoulder toward the target.

  3. Bend your knees and stay low.
    Tip: Think “sit, not squat.”

  4. Aim about three feet above the net.
    Tip: Higher is safer than lower.

  5. Swing slowly and smoothly.
    Tip: Speed adds errors, not control.

  6. Brush low to high on the ball.
    Tip: Feel the paddle glide, not hit.

  7. Use topspin when you can.
    Tip: Slice is fine, but topspin dips faster. 

  8. Aim crosscourt when possible.
    Tip: The net is lower there.

  9. Watch where the ball lands.
    Tip: Kitchen depth matters more than pace.

  10. Move forward with your partner.
    Tip: Go together, every time. (~2–3 steps)


Song: “Three Feet Above the Net”

[Verse 1]
I was standin’ on the baseline, paddle way too tight,
Dreamin’ of a winner, swingin’ hard with all my might.
Ball kissed the net cord, fell right back down,
Partner just looked at me, shook his head, frowned.

[Verse 2]
Then Kelly said, “Listen, slow that swing,”
This shot’s about the little things.
Not power, not rush, not losin’ your cool,
It’s touch and timing — the quiet rule.

[Chorus]
Three feet above the net, let it softly fly,
Brush it low to high, watch it dip and die.
Loose grip, slow swing, let the spin begin,
That’s how you walk together, right into the kitchen.

[Verse 3]
Semi-closed stance, knees bent low,
Crosscourt’s your friend — more room to go.
Topspin hummin’ like an old jazz bass,
Ball lands gentle in the kitchen space.

[Bridge]
If they’re reachin’ and stretchin’, don’t hang back there,
Take a couple steps, claim your share.
Game gets quiet, slows right down,
That’s how the soft shot wears the crown.

[Chorus]
Three feet above the net, give yourself some grace,
Middle’s low and kind, crosscourt’s a safer place.
Move with your partner, side by side,
A gentle little rainbow is your ticket inside.

[Outro Verse]
From pop-ups and smashes to control and calm,
Just a loosened grip in the palm of your palm.
Funny how the softest shot you’ll ever learn,
Is the one that makes the whole game turn.

Instrumentation & Vocals

  • Verses: Acoustic guitar, upright bass, brushed snare; solo vocal

  • Bridge: Light piano comping, bass walk-up; harmony enters softly

  • Chorus: Acoustic guitar + upright bass + brushed snare; 3-part vocal harmony with gentle swing


How the Song Was Created

The song “Three Feet Above the Net” was written to mirror the instructional arc of Kelly Goodnow’s tutorial while keeping the tone light, memorable, and welcoming — especially for older players. Structurally, the song follows a classic folk-jazz form: narrative verses, a repeating chorus that reinforces the key lesson, and a bridge that reframes the idea emotionally. This mirrors how the third-shot drop itself works: repetition, reassurance, and gradual understanding.

The rhyme scheme stays simple and conversational, reflecting the clarity of the coaching advice. Phrases like “three feet above the net,” “loose grip,” and “brush it low to high” are repeated deliberately so they function as musical mnemonics. The chorus acts as a checklist, turning technical cues into something a player can hum between points.

Instrumentation choices were guided by tone. Acoustic guitar and upright bass evoke 1960s folk clubs, while brushed snare and light piano nod to jazz without adding urgency. This softer swing matches the philosophy of the drop shot: controlled, patient, and unforced. Vocally, the verses are sung solo to keep the instruction clear. Harmonies enter in the chorus to symbolize partnership — a direct reflection of moving to the kitchen line together.

For senior performers or listeners, the tempo is moderate, the melody sits in a comfortable range, and the rhythm swings gently without demanding precision. The song is designed to be educational without sounding like a lesson, reinforcing that in pickleball — as in music — sometimes the softest touch carries the farthest.


Quiz

  1. What is the main purpose of a third-shot drop?
    a. To win the point immediately
    b. To move both partners to the kitchen line
    c. To force a baseline rally
    d. To surprise the opponent

  2. According to Kelly Goodnow, ideal grip pressure should feel like:
    a. Very tight
    b. Medium-firm
    c. 3–4 out of 10
    d. As tight as possible

  3. Which swing characteristic improves control on a third-shot drop?
    a. Fast and forceful
    b. Short and choppy
    c. Slow and smooth
    d. Flat and stiff

  4. How high should players generally aim their drop over the net?
    a. Just above the tape
    b. One foot above
    c. Five feet above
    d. About three feet above

  5. Why is a crosscourt drop often preferred?
    a. The net is lower in the middle
    b. It looks more aggressive
    c. It avoids the kitchen
    d. It travels faster

  6. What stance does Goodnow recommend on weak returns?
    a. Fully open
    b. Semi-closed
    c. Square to the net
    d. Backward-leaning

  7. What motion creates the ideal arc on a drop shot?
    a. Chopping down
    b. Flat pushing
    c. Side slicing
    d. Brushing low to high

  8. After hitting a good drop, what should players do next?
    a. Stay back and watch
    b. Reset at the baseline
    c. Move forward with their partner
    d. Switch sides

  9. What mistake do many recreational players make with grip?
    a. Holding too low
    b. Changing grips mid-swing
    c. Gripping too tightly
    d. Letting go too early

  10. According to the article, where is the game ideally played?
    a. At the baseline
    b. Near the service line
    c. In the transition zone
    d. At the kitchen line

Answer Key

  1. B

  2. C

  3. D

  4. A

  5. B

  6. B

  7. D

  8. C

  9. A

  10. B

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